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'@@ -1,0 +1,1 @@ +Quentin Tarantino is truly a talented director, who seemed to own found himself a long time ago in the crime genre, so fiercely fond of showing stories of various showdowns, generously seasoning with bloody visual violence. But, with each new project, he is searching for new topics, delving into history and showing his vision of certain events. The idea of ​​a spaghetti western is chic, plus, he grasped the essence of the 1858 problem, its racial conflict, and painted the almost three-hour story of the adventure of a fugitive black slave. Tarantino, based on the old scheme, doesn't try to squeeze the drama out of the picture, but shows a dashing and extravagant adventure, paying tribute to the genre, and gradually revealing his position in the characters, and, as usual, in perfectly written dialogues and remarks.<br><br>Django rushes quickly the bat, starting as stylishly as you are able to, enchants along with his atmosphere, which, with well-chosen music, tends to look brilliant at all. Somewhere in Texas, Dr. King Schultz (who for whatever reason desires to be christened Martin Luther King) and a slave named Django meet. Their meeting becomes fateful, [https://www.123movies.builders/ movies 123] and forever changes their future. By becoming a partner with a black man, a German dentist has a risky step, but this does not bother him at all, and it would appear that he is only glad to simply help the former slave in most his unfinished business. And these specific things led them to the wonderful'Candyland ', by which all the best will quickly happen. Looking tiring in places,'Django'constantly helps out either the soundtrack that turned on with time, or the looks of this or that character, but on the whole, obviously, the impressive timing is fully justified. The narrative is packed with the "Tarantino" delights, so fans should not be disappointed.<br><br>You can talk a whole lot concerning the characters in Tarantino's films, you are able to never complain about superficiality, or ill-conceivedness, and besides, every character is really original. The villain in the film did not brazenly exploit several features developed by the late Ledger, because it has become fashionable now, namely, with his charisma he surely could impress not only the viewer, but additionally critics. Yes, the conversation will undoubtedly be about Leonardo DiCaprio, his straightforward, sweet-voiced son of a bitch Calvin Candy with a continuous mouthpiece, and indeed an unbiased image, so clearly manifested in the film and so obviously claiming supporting awards. But do not forget about the foreground, and the rest of the composition, perhaps, cannot be discounted. Jamie Foxx is revealed towards the end, and the others of that time period he's somewhat lost against the back ground of the genius Waltz, however, his unshakable charisma is striking from the very beginning, and the performance of an Oscar-winning actor is actually visible. Waltz, perhaps, claims to be a character that brings much of sharp humor, in the'Tarantino'style. And how can you forget Samuel L. Jackson, how good he's, an incredible image, surprise reincarnation.<br><br>'Django Unchained'can rightfully be viewed one of the best films of the entire year, it's absolutely all of the ingredients for this. Quentin Tarantino painted a half-forgotten genre with his style, and made a number of his innermost ideas and dreams come true. Behind the bright, loud tirades and bloody shooting ranges, the master encrypted his message, ironically looking at one of the most severe problems of the past. Having finished the story in the design of a real-life western - a motion movie, with a romantic component, Quentin put a fat point which will make some resent, someone rejoice, while others will sit using their mouths open before end of the credits, and unanimously repeat the last line of the film:'Who was this nigga?'<br><br><br>If you think that you have already seen everything in your life and nothing can surprise you, then this is simply not about Tarantino. All his admirers urgently go to the cinema for'Django Unchained '!<br><br>From the first shots, the hand of the master is felt. Oh, just how long we have been awaiting something so exciting and invigorating! And then'Django'came. Like all Quentin Tarantino films, Django Unchained is full of surprises, twists and turns and gore. Quentin posseses an amazing spontaneity: sharp and merciless.<br><br>Just a couple of minutes of the film and you are no longer confused by the significant timing of the tape.<br><br>It's worth noting the western-style beautiful landscapes and music that sometimes surprises us. The plot keeps you in suspense throughout the story. The main characters are adorable, take Django himself, played by Jamie Foxx. This character is, I believe, the absolute most positive of the central characters in the film. Bravo Leonardo DiCaprio for the demonic twinkle in his eyes. Finally, the versatility of the actor is revealed. The perfect villain.<br><br>Christoph Waltz, this indicates to me, is one of the best actors of our time. Watching films together with his participation is really a delight. And the new creation of Tarantino is evidence of this. Christoph Waltz's acting is just a phenomenon that I cannot explain. I think his every word, every look.<br><br>Summing up, I can only just claim that I wish this film to take the most possible amount of gold statuettes at the Oscars. '